Model of the moment: Arizona Muse

Fashion weeks are over, brands are fêting their praise of the industry (chez Prada, Alexander McQueen, Fendi, Haider Ackermann et al), are licking their wounds if their efforts have not been appreciated ( Maison Martin Margiela) or are busy resolving scandals and their effects (Dior).

Meanwhile there is plenty of time to take a closer look at the model that emerges on the top of the list after the fashion week marathon and whose name is on everyones' lips: Arizona Muse.
How can you not become famous with a name like that?!
Obviously, it does help if you have the abstract beauty, expressive wide-set eyes, strong eyebrows that make Muse's recognition value and being absolutely ubiquitous during New York and Paris Fashion Week does help to push a career as well.
The 20-year old American who was born in Arizona - hence her name - was discovered in 2008 already, as she had a baby break, she stopped modelling for 1.5 years, only to return to modelling in 2010 and take off after the A/W 2011 shows.

During her second season, the 5'10'' tall Arizona already scored all major designers and could be spotted during every big name's show. Galliano, Dior, Chanel, Prada, Louis Vuitton, YSL, Versace, Burberry...the list is endless. Despite the numerous catwalks the American beauty scored, she is also featured in two major campaigns this season: Prada's adorable colourful spring/summer campaign, which was photographed by Steven Meisel and which truly unfurls its full good-mood effect in its appendant campaign film.

Furthermore, Arizona Muse ran off Daria Werbowy as the face of YSL's current print campaign and was also selected for the spring/summer campaign film under the creative direction of Stefano Pilati, which was shot by Inez van Lamsweerde and Vinoodh Matadin in Marrakech.
Being a relative newcomer, it is quite remarkable that Arizona is ranked 23rd on models.com. Counting Vogue covers, a 60-pages fashion editorial as well as four different covers of the March issue of Dazed & Confused magazine, it is pretty obvious, that the fashion industry has found the face that we can expect to see a lot more of in the not so distant future.

xoxo
Glamazone

Source: models.com
Picture Source: style.com, models.com

The Gaga Show - Nichola Formichetti's debut at Mugler

March 2nd 2011, from 9pm onwards, one could witness Nichola Formichetti's debut as creative director at Mugler via live stream on facebook.
The Mugler A/W 2011 RTW collection surely was one of the most anticipated events of Paris Fashion Week after Nichola Formichetti -  Lady Gaga's acclaimed stylist, fashion director of Vogue Japan, fashion director of Uniqlo and creative director of Dazed and Confused Magazine had been named creative director of  Mugler next to also newly appointed designer, Sebastien Peigné.

 After some additional Twitter frenzy over Lady Gaga walking Formichetti's show, quite a number of people logged on to facebook to watch the Mugler A/W 2011 RTW show live. Over 40 mins, one could peek behind the stage and watch numerous activities previous to the show from various camera angles. Admission, make-up, models, Lady Gaga, friend, muse and favorite pet of the stylist getting ready and practicing her last moves. Two of the titbits - may they have been spontaneous or rehearsed - were Lady Gaga announcing laconically that it would be even good press if she would vomit on stage and secondly that she just wants the public to say that she is a beautiful woman after the show (oh come on - still not over the polemic, are we?!).

The scenery for the runway was a mixture of an enchanted forest and a gothic cathedral, which set the stage for a show that ressembled a mixture between fashion, Lady Gaga self-promotion and a chaotic hide-and-seek game in dim flickering disco light. The models were half strutting, half stumbling on the platform wedges (the only one who mastered them effortlessly was Gaga) putting on a show that was composed of clutching along the pillars, lip synching a medley of Lady Gaga's latest album - featuring her "Born this Way" anthem- clenching their teeth, displaying their figurative claws and striking a vamp-y pose for the photographers. Check the official directors cut here.

Many of the garments of the show called “Anatomy of Change Femme – Mode Sans Frontiers,” featured Thierry Mugler's signature giant epaulettes, which had made the designer famous in the 80ies. Otherwise, the clothes featured a lot of sheer tops, or tops with sheer cut-outs revealing the bust or tiny synthetic bustiers. Skin tight membrane-looking clothes took turns with avant-gard garments which seemed futuristic and outlandish. Glossy elements were combined with natural textures - creating a look that made me think of the Borg of Starship enterprise - a fictive civilisation, which strives to be a superior race by sometimes brutally assimilating nature with technology. An association which might also be explicable by the fact that the Nichola Formichetti named Rick Genest aka "Zombie Boy"as his latest inspiration at the brand Mugler.

Nichola Formichetti, darling du jour of the industry surely gained some more momentum by this fabulous show and may just have promoted his vision of outlandish and eccentric beauty (I actually really think the time has come to pass the word gaga-esque as part of our vocabulary) a little more. Also, he managed to communicate his vision of the future of fashion brands, which is a seemless blending of showmanship, media communication, fashion, lifestyle and a sentiment, attitude and atmosphere at the same time.
The showmanship of the event was surely convincing and could live up to the hype. The limelight however was rather on Lady Gaga and the overall show elements than on the clothes. Also, the lighting, the labyrinthine scenery and extrovert posing and lip synching of the models was that much input that it took away attention from - what used to be- the actual core of the show: the collection.

All in all a successful publicity stunt that surely brought Lady Gaga, Nichola Formichetti and the label Mugler into many headlines. (One of the first headlines after the show being that Lady Gaga, already "bought" the entire collection ...surprised anybody?!)

xoxo
Glamazone

Souce: www.mugler.com
Picture Source: www.nicolaformichetti.com, WWD.com, style.com, fashionista.com

Saint Tropez Spirit

It is likely that during spring time, no place is more glamourous than the Côte d’Azur in Southern France. With the 63th edition of the Cannes International Film Festival just around the corner (btw. this year's jury president is Tim Burton), another glorious event heralded the opening of the glamour season. The occasion is the launch of Kaiser Karl's Chanel Cruise Collection, which was launched yesterday in Saint Tropez in front of Sénéquier, one of the Riviera's hotspot bars to see and being seen.
Chanel's cruise collection '11 had to outgrow its atmospheric precedent collection for '10, which had been taking place at the Lido di Venezia and had Thomas Mann's Death in Venice as its theme. I cannot help remembering last year’s extravaganza and wondered, if Chanel - the brand which is arguably offering the most important cruise collection amongst the designer brands, can live up to last year’s sensation.
This time, Karl Lagerfeld's approach was a lot lighter in comparison to last year’s literary backing. Chanel’s multitalented chief designer tried to revamp the Côte d’Azur feeling of the 60ies and 70ies. Another designer gone director, Lagerfeld launched his short film "Remember Now", at the Cinéma de la Renaissance the night before the défilé of the Cruise Collection ’11.

Karl basically cross linked his short film, which portrays an ageing playboy’s (Pascal Greggory) nocturnal foray into the carefree night life of the jeunesse dorée in Saint Tropez – starring Lagerfeld’s entourage and inspirations – amongst others Elisa Sednaoui, Freja Beha Erichsen, Abbey Lee Kershaw, Heidi Mount, Leigh Lezark and his omnipresent muse Baptiste Giabiconi. Some wicket pundits may call it another midlife crisis masterpiece – however, considered as the frame work to his collection, I believe it perfectly embodied the Saint Tropez life of its rich and/or beautiful (seasonal) inhabitants strained to the point of cliché.
Back to the actual collection: Karl Lagerfeld had his models disembark a speedboat, barefoot and wearing loose summer clothing like tunics, light, flowing trousers and jumpsuits. The impression was that after sunbathing and partying on a yacht all day long, its glamorous priveleged occupants came ashore for a sunset apéritif and a stroll at Saint Tropez’ harbour. Light accessories, dangling necklaces, bangles, sumptuous anklets, strappy sandals, layered summer outfits with frills- the collection itself appeared surprisingly youthful and fresh, yet with the unmistakable Chanel signature elements and a well-thought-through setting in front of a beautiful scenery.
Pastels and pinks, cropped bouclé jackets and dresses – even the occasional denim skirt has caught up with Chanel. Lagerfeld’s collection seemed very relaxed, carefree and felt a lot lighter than previous years'. You could clearly feel the enjoyment and Mediterranean ease of Saint Tropez in the youthful overall-concept.

In particular if you had seen the short film, one could detect Karl Lagerfeld’s homage to the golden times of his second home - the Côte d’Azur- in the 60ies and 70ies. His references paid tribute to Jade Jagger and the white pantsuit she wore at her wedding to Mick Jagger in 1971 , to Brigitte Bardot – embodied by the sensuous Giorgia May Jagger and generally to the spirit of the times. High-waisted denim flares in brown, black or white, flowy hippie inspired tops and tunics, knitwear as well as the suede leather overknee boots gave a clear flair of the bygone era.
All in all, Karl Lagerfeld once more managed to present an intrinsically coherent collection -and beyond that an entire concept - which framed his inspirations beautifully and once more proved that he is a man with a vision and an enthusiast for the big picture.

xoxo
Glamazone

Picture Source: style.com, WWD.com, independent.co.uk